History Research Papers Format Text

Jonathan Friesen - Writing Coach

history research paper

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how to create a historical paper

a paper is the traditional form of presenting historical research.
how is a paper different from other categories?
a paper is a highly personal and individual effort, and if you prefer to work alone this may be the category for you. Papers depend almost entirely on words to tell the story, and you can usually include more information in a paper than in some of the other categories. Paper rules verification sheet   this check off sheet will guide you as you review your entry to make sure you have followed nhd rules for the paper category.

by maeve gately lsquo 12
view in pdf format writing about art is based on the same analytical principles used for literature or history, but it requires a different approach and different observational skills. In an art history paper, we must employ a visual vocabulary and translate our visual impressions into a concrete verbal articulation. While this kind of writing can take many forms, the ultimate goals of any art history paper should be to explain the relationship between the technical form of a work and its impression on the viewer and to articulate how the visual elements work together to convey an overall effect.

There are several basic ways to write about art: example of a short formal analysis: in raphael rsquo s marriage of the virgin. The artist uses one point perspective, balanced composition, and vibrant primary colors to convey a sense of stability and order, thus representing the christian narrative in the idealized, harmonious aesthetics of the renaissance. in the foreground, a man and women stand on either side of a central figure, their adjoining hands creating a focal point that extends back to the doorway on the horizon line. The orthogonal lines created by the tiled pavement move the viewer rsquo s eye along the same central path and emphasize the perfect perspective of the scene. The deep hues of yellow and green in the central man rsquo s clothing complement the red and blue in the woman rsquo s, and form the palette for the rest of the onlookers, a simple, pure combination of colors that contributes to the sense of order. The almost perfect symmetry of the scene, as well as the relatively empty middle ground, underscore both the spiritual theme and the aesthetic values of the time.

Note how the writer balances description of the work, using a vocabulary based on knowledge of artistic techniques and visual elements, with analysis of their effect on the viewer. The thesis in bold provides a framework for the rest of the paragraph and acts as the driving force behind the descriptive observations. The example above merely demonstrates the type of writing typically employed in a formal analysis and is therefore shorter and less thorough than most visual analyses. Also note that while the writer acknowledges the subject of the piece the christian account of the marriage of the virgin mary and its time period the renaissance , most of the focus is kept on the visual elements themselves. If the writer were to include more information beyond the observable aspects of the scene, this would become more of a research paper.

For more information and a longer example of formal analysis, see pages 119 123 of sylvan barnet rsquo s writing about art 8th ed. Research paper an art history research paper can take a variety of forms, depending on the intended audience of the work and the aims of the writer. An iconographic analysis focuses on the representative iconography of a work, taking into account the symbolic role of images, the historical or mythological identity of figures, and any other elements that may have a visual significance. Research papers may also focus on the biographical details of the artist, such as the story of michelangelo painting the sistine chapel, or the connection between van gogh rsquo s starry night and the artist rsquo s mental health. They may also take into account such factors as patronage and social context and use these to place the work within a historical framework. In all cases, it is important to balance background research with analysis that ties these facts back to the work itself. In many cases, you will rely on the principles of formal analysis to back up some of your claims.

example of an iconographic analysis: one can apply a variety of iconographic interpretations to jan van eyck rsquo s arnolfini wedding. Erwin panofsky, a prominent art historian in the first half of the twentieth century and one of the foremost proponents of iconography, attributed symbolic meaning to the various elements of the scene he ultimately viewed the painting as a legal document of a marital union between giovanni arnolfini and his wife in 1434. In panofsky rsquo s opinion, the single candle in the chandelier represents the presence of an all seeing god witnessing the ceremony. Margaret at the top of the bedpost, protection for expecting mothers and the bedroom setting for the scene underscores the intimacy of the ceremony. Finally, the artist rsquo s signature above the mirror constitutes the central focal point of the scene and documents the artist rsquo s presence as a witness in the ceremony. Not only do these elements work in a symbolic manner it is the very nature of their symbolism that gives the work its nuptial significance.

The example above relies on panofsky rsquo s interpretation of the scene, citing specific iconographical details in order to support the writer rsquo s conclusion. Research papers are usually thesis driven as well, and always directed at a specific audience more on this in section iv. For more information on writing about iconography and doing art historical research, refer to pages 240 245 of writing about art 8th ed. Comparative analysis comparisons of two works of art are often used in both research papers and exam responses. They provide an opportunity to combine formal analysis with knowledge of the artists, the subjects, and relevant background information needed to make inferences about the relationship between the two works. Begin by asking yourself what aspects of the two works stand out as particularly notable and whether or not these attributes are shared.

A comparison typically starts with similarities if the two works share a stylistic background, have the same artist or relative period, or depict the same subject, mention the commonality as grounds for establishing a comparison. Then, move on to the ways in which the two works differ, beginning with the obvious and moving on to the more subtle and specific. example of a comparison: assignment: compare the donatello rsquo s david with michelangelo rsquo s version of the same subject. Donatello rsquo s david stands victoriously above the head of his vanquished foe, his own head bowed in an almost feminine gesture of reflection, a picture of the idealized male nude. Michelangelo, on the other hand, has caught his david in the moments before the battle itself.

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