Do you fancy writing a similar book to the гўв‚¬е harry potter гўв‚¬вќ series or гўв‚¬е lord of the rings гўв‚¬вќ series? if so how to write a fantasy novel provides you with step by step instructions to help you get started. Fantasy can be divided in several subclasses including arthurian, comic, epic, dark, fairy tales, heroic and magic. Fantasy takes us away from our mundane, everyday lives and plants us firmly in the middle of worlds governed by magic and populated by strange, mythical beasts. If you've always wanted to write your own fantasy novel but weren't quite sure where to start, read on for some tips that will help you put your fantasy into words. So, you want to write a fantasy novel and you think you have a great idea? now what? do you sit down and start writing chapter one? you could.

Do you create elaborate timelines, charts, character profiles, and maps? perhaps. Do you spend hour after hour writing and rewriting the same scene over and over trying to make it perfect? if you are just getting started, i hope not! there are many ways to write a book and every novelist has come up with a way that works for them. this is what works for me after trying many different approaches. maybe it will work for you. Keep a notebook of people that fasinate you and exactly what about them keeps your interest. these can be family members, friends, celebrities, or fictional characters. when creating your characters draw from what youve observed being sure to avoid copying and stereotypes. the same process can be used for locations. Dont sweat it if you feel you arent writing well, rough drafts are meant to be rough. your goal is to get it out of your brain and on paper or screen. my mantra is progress, not perfection. being a full time mom of two young kids i force myself to complete a quota of 10 words daily and 50 words a week. Earthborn just throws me for some reason, although it may fit perfectly with your story. The blade of ice and shadow: this title makes me think there is going to be some very important blade sword/dagger/whatnot that plays a huge role throughout the story. Could be earth people rising against their alien? sorry aliens are my first thought because of my current project but could also be warlords etc conquerers.

Could be someone becoming rising into power, whether that be through war, assassination, etc. Good luck with deciding on a name! world building in a fantasy novel is important because the fantasy genre is focused on creating an unfamiliar world in which to immerse the reader. Your reader needs to believe completely in this new world and it needs to be fully formed, including details such as economy, government, social structures, family life and religion. Fantasy worlds can range from being just slightly different from the real world to being completely fresh. The universe of the song of ice and fire: one looks like the real world, with a few changes and secret differences, while the other includes elements of viking, germanic, celtic and middle eastern cultures as inspiration. Since this element is central to the fantasy genre and your creating an exciting realm, it 39 s important to explain how the magical system works in your world. For example, let your readers know how characters develop magical abilities in your novel and how the magic works, such as through reading spells, verbal spells or blood magic.

Mythology is important enough that it must be considered on its own, as many other elements, such as religion and magic, relate to it. Martin suggests that fantasy writers shouldn 39 t be afraid to borrow from mythology of existing cultures to build their own new mythologies. Tolkien worked elements of norse and celtic mythology into his lord of the rings trilogy. Explain how the religion of your novel interacts with mythology and choose pieces of mythology you can work into the novel to create your own fresh take. Although world and plot take precedence in fantasy, it is always important to have compelling characters. Martin advises having more gray characters, those who are not simply good or bad but are complicated, with multiple motivations and possible ways to react in any situation. A prime example of this is the character gollum in lord of the rings and the hobbit.

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This character is often sinister, but also deeply flawed and has multiple motivations and moments of character development. Create characters that are beyond simply heroes and a villains and provide your reader with more shades of gray. If you've ever sat down to write a novel, you must have tackled this question to death.

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We all know how much responsibility lies on the opening chapter: introducing the protagonist, making people care for him or her, and establishing the time frame and locale all while maintaining a good pace and a high level of interest. But what if you need your introduction to convey even more, and it's collapsing under the workload? that's where the prologue comes in. The prologue is much like an outworker, a wildcard that gives you the chance to begin your story twice, at two different points.

Ask yourself three questions: do you really need a prologue? what does your prologue do? and finally, does it get the job done right? let's have a closer look. Does your novel truly require a prologue? unnecessary prologues are a dangerous lot: at best they are ignored, at worst they turn the reader off. Remember, it's there to do a certain job for you, so make sure that a that job is essential, and b no one else can do it. It has to reveal significant, relevant facts, without which the reader will be missing something. You cannot afford to have your prologue idling away under the pretence of creating an atmosphere. Its first duty is to supply information that is or will be vital to the understanding of the plot.

After all, every chapter delivers key facts, which ultimately amount to the plot. Perhaps relating them in the body of the novel would cause a breach in point of view etiquette. Perhaps they occur in another time or place, and have too much weight to mention by the by. Any of these cases, and some others which we'll soon discuss , call for a prologue. To make sure your prologue works well, you can put it through a simple two step test: try to leave it out and see if anything important is missing then try to change its title to chapter one , and check if the plot integrity is damaged.

If you've answered both questions with a yes, then your prologue is doing a good job. What can a prologue do for you? a basic acquaintance with literature will yield four major types of prologue, each with its own specialties. job description: future protagonist the future protagonist prologue shows the hero or heroine some time after the main part of the plot has taken place, and is written in the same point of view and style as the rest of the novel. In third person pov, its primary use is to give the end of the story first, while the novel itself explores how things had come to pass.

Naipaul, where the prologue begins several weeks before the protagonist's demise, while the first chapter backtracks to just before his birth. In first person pov, you will usually find the protagonist sitting and writing a memoir, or explaining why one must be written or told. The emphasis is on the protagonist's own impression of the past, whereas the actual end of the story may be only alluded to. Such is the case in umberto eco's the name of the rose , where the prologue introduces adso at an old age, thinking back to his youth when he and his master william had solved a mystery at an abbey. Adso's account gives us a background of the era, and his own impression of brother william, but in no way hints as to how the mystery was solved. job description: past protagonist the past protagonist prologue is generally used when the protagonist has a defining moment in his past which must be known to the reader, in order for the reader to understand this character.