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Columbia university awarded a doctorate in education to nick sousanis for unflattening. It was published by harvard university press and got a starred review in publishers weekly the journal comics grid wrote that it demonstrated the viability of a comic book as doctoral scholarship in its own right, rather than a separate work requiring some accompanying critical paratext. But what if the two are inextricably linked, equal partners in meaning making? written and drawn entirely as comics, unflattening is an experiment in visual thinking.

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Nick sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page. In its graphic innovations and restless shape shifting, unflattening is meant to counteract the type of narrow, rigid thinking that sousanis calls flatness. Abbott’s novella flatland could not fathom the concept of upwards, sousanis says, we are often unable to see past the boundaries of our current frame of mind. Fusing words and images to produce new forms of knowledge, unflattening teaches us how to access modes of understanding beyond what we normally apprehend.

Unflattening nick sousanis/harvard university press unflattening nick sousanis/spin weave cut a bringing together of beloved belles lettres. This chart diagrams 25 famous opening lines from revered works of fiction according to the dictates of the classic reed kellogg system. From cervantes to faulkner to pynchon, each sentence has been painstakingly curated and diagrammed by pcl's research team, parsing classical prose by parts of speech and offering a partitioned, color coded picto grammatical representation of some of the most famous first words in literary history. Whether you’re a book buff, an english teacher, or a hard line grammarian, this diagrammatical dissertation has something for the aesthete in all of us. Comics artist and educator nick sousanis is currently a postdoctoral fellow in comics studies at the university of calgary. He received his doctorate in education at columbia university in 2014, where he wrote and drew his dissertation entirely in comic book form.

It argues for the importance of visual thinking in teaching and learning, and it is now a book from harvard university press. what made you think that a comic strip dissertation was even possible? the truth is, i didn’t know any better. I’d been out of school for a time since doing masters degrees back in detroit, and i was well aware of the smart sort of comics that had been coming out and were getting into classrooms. Alison bechdel’s fun home, and works written by alan moore and neil gaiman, alongside various artists. With the work i’d been doing prior to coming back to school, it just seemed like a natural thing to do my work in comics form.

I knew people would read it or at least be more likely to and it could be accessible in a way i felt was important. As much as i’ve always enjoyed what i encounter in and have taken from academia, i’ve felt a frustration that the ideas tended to stay within those walls. It’s really not until i got into school, and moved forward on the work and had begun speaking on it at conferences, that the political implications of this thing i was doing fully dawned on me. I embraced that, and from there my work began to take a more self reflective nature. It became very much at least metaphorically an argument for its existence and for other forms like it.

I finished coursework in 2010, and with a nearly year long interlude spent co organizing a conference around creativity and play, ended up making the first sketch roadmap for the dissertation in the spring/summer of 2011 this is reproduced at the back of the book. I made the final working sketch outline early in 2012, and shortly thereafter started drawing the first chapter. I think the earlier pieces i made helped me learn better how to navigate those spaces, and provided a sense of trust for my committee that i could walk the tightrope between both concerns.

I did have to observe the margins like any text based dissertation but other than that i was pretty free to work as i wanted. I could even have worked in color but i stuck to working in black and white, partly because i prefer it, and also, because i print excerpts and give it away to anyone, it’s cheaper. Helen barbour at her book launch party former languages student, helen barbour, has just celebrated publishing her first novel helen barbour, french amp german, 1986, lonsdale drew on her experience of mental health issues to write the a to z of normal. She now lives and works in north london, suffers from obsessive‑compulsive disorder, perfectionism and anxiety, which she also writes about weekly on her blog, the reluctant perfectionist. She said lsquo there is still a huge amount of stigma around mental health and so i felt that this should be at the heart of my first major fictional work, but i wanted to handle the subject in a very accessible way. Rsquo helen likened her approach to that of mark haddon, whose books include the curious incident of the dog in the night time and a spot of bother. Lsquo i write in a similar vein ndash tackling serious topics, but with a light touch, rsquo she said.

Lsquo the a to z of normal is about a woman struggling to overcome her obsessive‑compulsive behaviour, so that she can marry the man she loves, while also dealing with some difficult family relationships. Rsquo helen began her working life as a journalist on the express amp star evening newspaper in wolverhampton, and has written for the lifestyle magazine, complete wellbeing. the a to z of normal is available on amazon as an ebook and paperback, and can also be ordered from all good bookshops and directly from the publishers, silverwood books w.silverwoodbooks.co.uk.

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It has been reviewed by maria malone, author and ghostwriter cheryl cole, tony hadley, eamonn holmes and mica paris , who said: 'helen understands the nature of obsessive behaviour and writes about it brilliantly. She explores a tricky subject with sharpness and humour and the a z of normal is both a funny and poignant story. Sheila skillman english literature, 1974, bowland has just published her second novel, 'a passionate spirit'. A masterful work of academic sabotage it's a crime and a shame that the works of r.m. I picked up a three book set of koster's works at a remainder sale in washington d.c. By a customer on july 20, 1997 koster conjures up a latin american nation with larger than life heroes and villains whose lives and the central character has many lives can and will transmogrify at the whims of nature and fate. Lillywhite and grimes of sunburst university in a mythical place called florida and parodies the academic form and format hilariously.

The text is a grand epic history of the central american nation of tinieblas and his family's place in it's story. The footnotes expose not only the fevered candidate's unconventional method of collecting original sources he interviews many of the makers of his nation's history from their current homes in the afterlife but reveals his slow emotional unraveling into a less than delicate madness driven by the stresses and excesses of the academic life. The dissertation is a llossa, marquez or allende tale told in episodes recalled after either guzzling a pitcher of martinis, but in addition to a finely tuned sense of the absurd, koster writes a dead on the level adventure tale. The episode in which he sends central character, leon fuertes, through the wwii battle of monte cassino is every bit as gripping a story as any james jones might have written.

Harding, a confederacy of dunces, or the flashman adventures from the fertile mind of george macdonald fraser and especially recommended for fans of latin american fiction who feel that the conventions of the genre could use a satirical tweak or two, or anyone who has experienced the innate absurdities that too frequently accompany the pursuit of a graduate degree. Committee members abstract relevant urls, e mail addresses publication information if the work has been published in whole or in part entries marked or have been added or revised since july 7, 2013. see also: comic related ms/phd thesis a brief list of primarily american work for more information on comics in academia, see our academic resources page. Graphic novels and social realism three case studies: keiji nakazawas barefoot gen. Jonathan harris in the art history/architecture department, and examined by prof. Abstract: the principal questions in this thesis are: why have artists utilised the distinctive graphic novel medium to deal with issues of social crises, and can this practice be considered as realism? to answer this there is an analysis of the political nineteenth century origins and early twentieth century applications of realism.

The concept of a critical, social realism is modelled on the theories of critics and writers like t.j.clark, linda nochlin and writers in germany on political realism in the 1930s, such as bertolt brecht and georg lukбcs. Following these models realism is defined as a critical practice that analyses the social conditions of graphic novel production, and offers a critique of cultural and political structures. All have been produced in the late twentieth century in response to events of extreme social upheaval.

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