Punch brothers is the musical brainchild of former nickel creek vocalist and mandolin virtuoso chris thile. Named for a lesser known mark twain short story, the band is known for combining elements of acoustic and bluegrass music with classical, rock and experimental sensibilities, resulting in a sound that truly defies labels. Is the band’s best yet it was 15 in american songwriter’s top 50 records of 2010 , and thile and company kicked off the evening with the record’s first two tracks, you are, opening with chris eldrige on guitar, and don’t need know, the latter of which featured violinist gabe witcher doing a pretty damn good job taking over on lead vocals. Both were enough to get the crowd riled up, to which thile responded, but it’s only been two songs! quality defies quantity in the case of the punch brothers, however, as most songs only needed one or two notes to get cheers of recognition.

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Thile described another antifogmatic tune, next to the trash, as a real relationship number, featuring lyrics like, she puts my body away/next to the trash, under the sink/along with all the cleaning supplies and the things that we buy and decide we don’t need. Alex and crowd pleaser rye whiskey rounded out the evening of new stuff, until the quintet opted to play a new new song, a slow, pretty number called the full and empty hours, which they anticipate to record for a new album this summer. The band pulled from past albums as well, jamming on watch’at breakdown from 2006’s how to grow a woman from the ground from the days they were still considered thile’s solo project and punch bowl from 2008’s punch. When the guys played the first movement from thile’s 45 minute string quintet the blind leaving the blind, which banjo player noam pikelny noted was one of the ten most requested songs at nashville’s wildhorse saloon in 2010. Despite a radio worthy speaking voice, pikleny’s real talent lies in his banjo licks, which provide a rhythmic backbone for many of the band’s songs. That last one is a personal favorite because, really, who the hell does mclusky covers on a mandolin, and does them well? the punch brothers are all about the music, labels and genres and flashy sets be damned, and as such, they’re one of the best live shows i’ve ever seen, and probably always will be. Conversion: flac frontend 1.7.1 used to align on sector boundaries and for flac16 conversion @ level 8 tagging: band name, venue and song title in foobar20 my notes from last night 39 s punch brothers show at seattle 39 s showbox are all over the map, just as their blistering set of music was.

Today, i 39 m left deciphering random iphone messages i typed boy, that autocorrect/spelling function can really get overzealous, can 39 t it? and with memories of an incredible set of music. To my ears, the brothers chris thile, noam pikelny, gabe witcher, paul kowert and chris eldridge are one of the best bands performing today, in any genre. Last night, they took their bluegrass gear to new heights, performing from their album antifogmatic but also doing covers of josh ritter, jimmie rodgers, radiohead and the strokes. There were of course amazing displays of virtuosity and tens of thousands of lightening fast notes played. More importantly, these five young guys seemingly break ground with each tune and have a blast doing it. Thile comes across as some amazingly weird hybrid between composer charles ives and showman jerry lee lewis he can write moody chamber music or just ham it up to the crowd. It 39 s amazing to think that all this happens, night after night, on some of the rarest gear imaginable: thile with his loar mandolin, eldridge on a 39 39 martin d 28 and pikelny on a flathead gibson tb 7.

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You could buy a nice house anywhere in america for the value of those three instruments. Ultimately, it 39 s the bluegrass equivalent of seeing clapton in his youthful prime, playing through his beano les paul, circa 1966. A rare moment where a player at the height of his prowess is utilizing the absolute best gear imaginable.

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3–4, 2015 the fillmore since making their debut in 2008, punch brothers, the bluegrass ensemble led by nickel creek’s virtuosic mandolin player chris thile, have gained a reputation for diving headlong into the most unexpected of covers. Below is a compilation of the best, the silliest and the most left field of em all. have a favorite? let us know, or be sure to share it with the band when they play the fillmore april 3 and 4. Radioheads kid a if you figured it would be impossible to recreate the electronics of radioheads digital masterpiece with a fiddle and a banjo, think again.

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2. beyonces love on top this old school soul jam from beyonces 2011 album 4 translates startlingly well to a pop bluegrass tune, even if there arent any backup dancers on hand. 3. wilcos poor places the group takes wilcos sprawling track and boils it down to its essential elements: a gorgeous melody and a delicate finger picked chord pattern. 4. the beatles paperback writer those harmonies were just made for a bluegrass twist, and the chugging mandolin proves you dont need ringo to make this song shoot off like a rocket. The strokes reptilia paul kowerts bass sounds just as menacing as the strokes, and the fiddle somehow recreates the surge of feedback in the intro perfectly. White stripes dead leaves and the dirty ground picking up the tempo of the white stripes blues rock anthem, punch brothers turn it into a romp that would sound right at home in o brother, where art thou? 7.