Janet you and other villagers are free to cross post, link or otwhreise use anything that you see on this blog. It is a compliment when information that you find under our digital baobob tree is useful in other villagers around cyberspace. I'm not sure that i concur with you about president bush's record of diversity hiring. Post it on your blog!! my question is wetehhr there is a form of media suppression taking place in alaska. Palin to the vp candidacy i find it strange that they cannot locate a single person of color other than the beauty contestant winner to interview on tape! this gives cause to question if something is not quite right in the upper 49th. I'm also curious as to why this issue hasn't been raised by any of the broadcast news programs? is it a subject categorized as off limits by the station s management? if i am mistaken and you are aware of any links to current interviews please advise.

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Now we have wall schooling and adding yours we could even have white board schooling. Posted on 2014 03 04 by a guest the meaning of this poem is that love is a great and difficult thing to face. She feels everything he feels, sees everything he sees and feels dazed when around him. It feels like a dagger through the heart and even though she tries to forget and erase all of her feelings she ever felt, they still come back to haunt her. Even though there are emotions pouring inside of her, she cannot except that she misses her love because to do so is, �a certain death!� posted on 2009 02 19 by a guest is to touch things with a lighter hand. To see fall down, the column of gold, gwendolyn brooks' to be in love working against our expectations is one of the more devious and creative paths a poem, or for that matter any piece of art, can follow. We believe, and because of those beliefs, formed out of our experiences, when a situation arises with familiar circumstances and characteristics we know what will happen next.

But when our expectations are shattered, when our truths melt like chocolate on a hot day, we are lost. Uncomfortable and distressing, in these moments we are put in a position to learn a great deal about ourselves. This is the practical side of surprise, taking the suspense and mystery and melding it into a significant lesson.

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Gwendolyn brooks gives us a chance to learn about ourselves with her unusual poem to be in love. As we revel in the delights of being in love we are a breeze, a footstep, a mere hiccup from the hellacious lows of losing it all. What once was special and gave us goosebumps will just as soon be the most painful memory, keeping us awake at night, morphing us into a version of ourselves we don't like and can't control. Brooks catapults us between the natural landscape of love and loss with a seamlessness that is a testament to her velvety smooth poetry. But even as her poetry itself is smooth, the subject matter is rife with bumps on our way down to the lowest point.

Brooks warns us you cannot look in his eyes / because your pulse must not say / what must not be said. Grown of pride, this declaration focuses on the body's ability to betray the heart. It could be something as simple as a lifted eyebrow, a forced smile, or a slow gulp for air.

These are enough to say, in body language, what pride prohibits us from saying we must not give any satisfaction to the source of our pain. And to think we thought we were reading a poem about love and being touched with a lighter hand. Just as love loosed us and allowed us inside the mind of the one we love, we are also loosed when love deserts usour body, including our heart, exists beyond our control. So what comes next? after highs and lows how do we rebound to a normal existence? stuck within an emotional turbulence that we helped create, we are free / with a ghastly freedom.

In this moment of the poem we are a millennium from the opening lines that laid out the beauty of being in love like a warm quilt covering our whole body on a snowy night. When gwendolyn brooks gave us the chance to be in love we took it, assuming and expecting it would be romantic. We didn't take into account the terrible aftermath of loss and the stages of love that none of us want to travel. My eyes fill with tears and my heart slows to its gentlest beating when i read that line. It touches me like few others i've ever read and it remains with me like those inexplicably persistent random memories from childhood.

I'm overcome by the line's duality: soul altering beauty and mind shattering pain. Are we to remember and covet his mouth, / to touch, to whisper on, if doing so will blanket every millimeter of our bodies with dread? in that moment of utmost pain we very well might wish our pain out of existence, saying i wish this had never happened. I wish i'd never been in love. once again we prove how foolish and prone to emotional swells we are. These words are not a spell reversing time, cleansing our hurt, and restoring our deep wounds to before they knew such sorrow.

What these words represent is the ultimate lesson embedded in the middle of surprise: we admit defeat by love and that we want no more of it, still we live on in search of love. Because your pulse must not say on the other hand, the tone of love song: i and thou is caustic and relentless in its self criticism, with no mention of the woman until the end of the poem. His home is built by himself: there is a self absorption in dugan's poem this is hell,/ but i planned it in contrast to the you of brooks's poem who sees herself through the lover's eyes: you look at things/through his eyes. Of course, the speaker is removed from brooks's poem while the speaker is very much at the front of dugan's poem.

For, the you feels a ghastly freedom she is the beautiful half/of a golden hurt. в in both poems, there is the use of imagery and metaphor for instance, brooks writes, you are the beautiful half/of a golden hurt, and dugan writes, i danced with a purple thumb. In structure, to be in love is more like a traditional poem with balanced lines and thoughts and capitalized beginnings. Brooks's poem ends with a conclusive thought that she wishes for a more reliable world whereas dugan's verse introduces a new idea as for the first time, the speaker mentions, let alone, addresses his wife. There is a direct style in both poems, although in dugan's poem the speaker indicates a self absorption while brooks, although direct, has her speaker reflect upon someone else.

In english, is professor emeritus of rhetoric and english at armstrong atlantic state university and the author of two grammar and composition textbooks for college freshmen, writing exercises macmillan and passages: a writer 39 s guide st. And statistical information that supports an idea or contributes to an overall impression in an essay. Details that are carefully chosen and well organized can help make a piece of writing or an oral report more precise, vivid, convincing, and interesting. From the old french, 34 a cut off piece 34 34 the charm, one might say the genius, of memory is that it is choosy, chancy and temperamental it rejects the edifying cathedral and indelibly photographs the small boy outside, chewing a hunk of melon in the dust. Their inattentiveness to the detail of their prose is part and parcel of their inattentiveness to the detail of the outside world. 2007 john updike 39 s detailed description of the 34 running mate 34 34 she wears adidas jogging shoes, and a dove gray sweat suit with canary yellow piping down the sleeves and legs.

In winter, she adds a cable knit norwegian sweater in summer, she strips down to crimson track shorts, with slits in the sides for greater freedom of motion, and a grape colored tank top, stained to dark wine where she sweats. Knopf, 1983 details and character traits 34 sometimes it takes only one or two details to light up a character for your readers. The old man 39 s carefully parted hair suggests that he has not totally given up. The tinny clatter of cheap crockery implies that the restaurateur has fallen on hard times. The sullen teenager 39 s one shouldered shrug connotes indifference tinged with contempt. Writer 39 s digest books, 1995 natalie goldberg on original details 34 life is so rich, if you can write down the real details of the way things were and are, you hardly need anything else.