The purpose of the study is to investigate the association between mother/daughter empathy in divorce cases, in addition to it's affect on the child. This study explains how the positive effects of empathy relates to the adjustment of divorce for both mother and daughter. The degree of empathy in the mother/daughter relationship is associated with the emotional functioning and pro social behavior of the adolescent daughter of divorce living in a single parent household.

From the standpoint of the daughter, both the enriched relationship with her mother and the belief that she is being heard and understood empathetically might lead to greater feelings of being respected, cared for an having a supportive resource in the person of her mother. Open interpersonal communication and problem solving should be facilitated, resulting in greater need fulfillment. The sample studied consisted of 57 mother/daughter pairs from a population of divorced, custodial, single parent mothers of age 30 34. Direct perspectives and metaperspectives by the interpersonal adjective check list 2. Results indicate that the mother's empathy discrepancy score had a significant positive correlation with discrepancy in the daughter's understanding of the mother. A lack of empathy with the daughter was positively associated with undesirable emotional traits in her daughter and negatively associated with both a high degree of relationship adjustment and the adaptive personal and social adjustment of the daughter.

In contrast to the findings for mother empathy, there no significant relationships between discrepancy in the daughter's empathetic understanding of her mother and the six criterion variables. In conclusion, the study supported the hypothesized association between empathy and both the quality of the mother/daughter relationship and the emotions and behavioral functioning of the child, but only when empathy was examined from the viewpoint of the mother. The mother's empathetic understanding of her daughter was a significant factor in the quality of their relationship. It was clearly associated with her daughter's personal adjustment, social adjustment, and emotional functioning in terms of anxiety, depression, and hostility. The ability of the mother to understand her daughter's internal world, the cognitive and emotional phenomena that constitute a critical part of her daughter's reality, suggests that such mother empathy may well be one of the key relationship strengths in the successful coping, adjustment, and continued healthy development of the child.

attention. hotessays.blogspot.com provides free sample essays and essay examples on any topics and subjects. Essaylib.com essay writing service produces 100% custom essays, term papers amp research papers, written by quality essay writers only. You can order a custom essay on empathy now! you have not saved any essays. I need to talk to you! вќ how many times have we heard this, especially when we are busy and just want to tell that person to send us an email, give us a note or leave a message on our voice mail. I must admit however, at times i find myself thinking about other things than what the speaker is talking about. I recently found out that it takes skill and practice to be a good listener вќ and exhibit empathy.

In chapter five, of bridges not walls, stewart and logan state that in order to listen empathically, its important to develop three sets of competencies: focusing skills, encouraging skills and reflecting skills. Accomplish this by aiming your posture вќ so that you're facing the person whom you're listening to and if seated, slightly lean forward. вќ this shows you are conscious of the person and intent on what they are saying. An effective listener isn't nodding or smiling all the time, only in response to what the person is saying. Presenters need sounds like these to reassure them that their audience or observer is actually listening.

Encouraging skills is designed to get information or more communication from the person. Asking the person to elaborate a little over a decade ago a number of americans began to report a novel and alarming disorder: they itched like the damned, convinced that tiny threads or fibres were poking from their skin, or that they were infested with minuscule creeping things. Morgellons disease – the name derived from a passing reference by the 17th century physician sir thomas browne – appeared to the professional gaze an impure emanation of google borne hypochondria.

To journalists too: before long it seemed every enterprising us feature writer was poring itchily over online accounts of symptoms and the struggle for acceptance. To leslie jamison – whose essay collection includes pieces on extreme running, gangland tours and the history of saccharin, but is at its disconcerted best when describing bodily predicaments – the disease was and remains something more. It's a test case for human affinity in the face of manifest but indefinable suffering.

Jamison passes swiftly over the online epidemic and instead fetches up at a morgellons conference in austin, texas, where she listens rapt and then ashamed to the stories of patients and advocates. The tales are uniformly dismal: brittle, pretty women who have scratched their faces raw couples and families united by pain and the guilt of contagion the uninsured resorting to draughts of veterinary grade dewormer. How to properly hear such confessions? jamison has her own dermatological horror stories – a maggot in the ankle, no less – and understands the morgellons patient's loneliness, disgust and fugue state vigilance. But at length she retreats to her hotel pool and a sense, however provisional, of her own physical integrity. The morgellons essay crystallises what jamison does very well: forensic attention to corporeal detail and self aware reflection on the extent to which she, or any of us, can imagine life in another body. Her title essay is an account of time spent as a paid medical actor, not only feigning symptoms but working up the backstory and motivations of her character, presenting that history to trainee doctors whose degree of empathic response is depressingly rote learned. Jamison match cuts these scenes with an account of her own heart surgery and an abortion: the latter made more traumatic by a seemingly callous comment from one of her physicians.

As a study in vulnerability, but also in types of speech and silence that surround the ailing body, the empathy exams is exceptional, jamison concluding that empathy is a matter of the hardest work, made of exertion, that dowdier cousin of impulse. The piece also functions as a frame along with the final essay, grand unified theory of female pain. Here, in well patterned fragments, jamison analyses the historical but newly fraught problem of disbelief in and distrust and dismissal of women's cultural expressions regarding their ailing bodies, or minds.

Jamison is herself a novelist: her debut the gin closet was published in 2010. She's keenly aware of literary models for the porous, abject or prostrate body: bram stoker's drained and punctured mina, miss havisham and blanche dubois in their withered gowns, the erupting adolescent of stephen king's carrie. She cites susan sontag on picturesque tubercular women, and recalls being huffily dismissed in a creative writing class for the gaucherie of quoting sylvia plath on female wounding. Jamison is in her late 20s, so grew up with the legacy of 1990s confessional culture – her heroines were bj rk, tori amos, mazzy star: they sang about all the ways a woman could hurt – then found herself accused by a boyfriend of being a wound dweller.

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She self harmed as a teenager, and now lives in a culture where facebook groups are devoted to hating on cutters. How, she wants to know, did women of her age learn to be embarrassed by personal and artistic accounts of their pain? i'm tired of female pain, and also tired of people who are tired of it, jamison writes. Grand unified theory is at several levels a fantastically assured and revealing treatment of a contemporary predicament: so wrapped in ancient and recent mythology is the spectre of the suffering woman that it seems at once essential and illicit to speak or to write about everyday and ordinary pain. But the essay is also one of the places in the empathy exams where the limits of jamison's response to her moment begin to make themselves felt. The problem is hard to isolate, in part because her point is about accusations of wallowing triviality, in part because as she rightly says descriptions of minor suffering may be the royal road towards our best insights into larger catastrophes – virginia woolf's on being ill , for example, with its amazing slippage from colds and flu to devastating grief. I happen to think that paying attention yields as much as it taxes, says jamison – you learn to start seeing.