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To what extent does othello rsquo s final speech affect our assessment of him? what is the effect of his final anecdote about the turk? certainly, othello rsquo s final speech is not all that one might wish for mdash his claim to be ldquo one not easily jealous rdquo is open to question, and his claim that he ldquo loved not wisely but too well rdquo seems both an understatement and an exaggeration v.ii. Further, othello rsquo s invocation of his own military triumphs might be seen as another example of othello dangerously misordering his priorities. He seems to position his political reputation as his biggest concern, as he did in act i, scene i, lines 353 ndash 355. When, having decided that desdemona does not love him, he exclaimed, ldquo farewell the tranquil mind, farewell content, / farewell the plumed troop and the big wars / that make ambition virtue. Rdquo at the same time, however, othello rsquo s final speech does seem to restore to him somewhat the nobility that characterized him at the beginning of the play. From almost the first time he opens his mouth, othello demonstrates mdash and the other characters confirm mdash his hypnotic eloquence when he speaks about his exploits in battle. Othello rsquo s final speech puts us in mind of his long speech in act i, scene i, so that we see him, even if only for a moment, as we saw him then.

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This process of conflating two different times and views of othello is similar to the rhetorical effect achieved by othello rsquo s dying words, where he makes his suicide seem a noble and heroic deed by conflating it with the killing of a turk in service of the state. How does othello rsquo s language change over the course of the play? pay particular attention to the handkerchief scene in act i, scene i, and othello rsquo s fit in act iv, scene i. At the beginning of the play, othello has such confidence in his skill with language that he can claim that he is ldquo rude rdquo in speech, knowing that no one will possibly believe him i.i. He then dazzles his audience with a forty line speech that effortlessly weaves words such as ldquo hair breadth rdquo and ldquo anthropophagi rdquo into blank verse lines. But in the moments when the pressure applied by iago is particularly extreme, othello rsquo s language deteriorates into fragmented, hesitant, and incoherent syntax. Throughout act i, scene i, othello speaks in short, clipped exclamations and half sentences such as ldquo ha! rdquo i.i.

Such moments, when othello shifts from his typical seemingly effortless verse to near inarticulateness, demonstrate the extent to which othello rsquo s passion has broken down his self control. In act i, scene i, he is still speaking in mostly coherent sentences or phrases but this is no longer the case in act iv, scene i. This scene begins with iago saying, ldquo will you think so? rdquo and othello can only helplessly and automatically echo, ldquo think so, iago? rdquo iv.i. Iago then introduces the word ldquo lie rdquo into the conversation, which sends othello into a frenzy as he attempts to sort out the semantic differences between cassio ldquo lying on rdquo that is, lying about desdemona and ldquo lying with rdquo that is, having sex with her iv.i. The various words and images iago has planted in othello rsquo s mind over the course of the play are transformed into impressionistic, sporadic eruptions out of othello rsquo s mouth: ldquo lie with her? rsquo swounds, that rsquo s fulsome! handkerchief mdash confessions mdash handkerchief rdquo iv.i. These eruptions culminate in the nonsense of ldquo pish! noses, ears, and lips! rdquo iv.i.

Ultimately, othello rsquo s inability to articulate seems to overcome him physically, as he collapses ldquo in a trance rdquo iv.i. To what extent is she merely a passive victim of othello rsquo s brutality? how does her character change when she is not with othello? at the end of othello, desdemona seems to be the most passive kind of victim. Smothered, deprived of breath and of words by her husband, she is totally overwhelmed by othello rsquo s insane jealousy and physical strength. But before her murder, desdemona is remarkable for showing more passivity when her husband is not around and more assertiveness when he is. Desdemona rsquo s first speech, in which she defends her recent marriage, is confident and forthright.

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When she gives it, she is the only female character onstage, surrounded by powerful men who include the duke, her husband, and her father, but she is not ashamed to assert her belief in the validity of her desires and actions. Unfortunately, iago recognizes desdemona rsquo s forthrightness and uses it against her. He exploits her willingness to demand and justify what she wants by making cassio her cause and, simultaneously, othello rsquo s enemy. In act i, scene i, desdemona asks othello to forgive cassio and persists, in spite of othello rsquo s rising consternation, until her husband declares, ldquo i will deny thee nothing rdquo i.i.

Her courage is apparent in her refusal to search for the missing handkerchief in act i, scene iv in her willingness to shout back at othello as he abuses her in act iv, scene i and in her insistence upon her innocence in act v, scene ii. Her audacity seems to infuriate othello all the more, as what he takes to be shameless lies convince him that she is unremorseful in what he believes to be her sin. The terrible effect of othello rsquo s brutality is most obvious in desdemona rsquo s scenes with emilia. Emilia is cynical and bawdy, and she gives desdemona every possible opportunity to bad mouth othello. Men, she says in act i, scene iv, ldquo are all but stomachs, and we all but food. A beggar in his drink / could not have laid such terms upon his callet whore rdquo iv.ii. And, at the end of act iv, scene i, she gives a lengthy discourse about the virtues of infidelity.

Desdemona, however, never says anything worse than ldquo heaven keep the monster jealousy from othello rsquo s mind rdquo i.iv. With her closest confidante, desdemona does not speak ill of her husband, even as she shows the strain of his terrible abuse. How do the other characters react to othello rsquo s skin color or to the fact that he is a moor? how does othello see himself? 2. Discuss the importance of setting in the play, paying close attention to physical details that differentiate venice from cyprus and that define the particular character of each location as it pertains to the plot of the play. How does her character change during the course of the play? pay particular attention to moments when emilia decides to be silent and when she decides to speak. What is the effect of her silence about the handkerchief? do we forgive this silence when she insists on speaking in spite of iago rsquo s threats in the final scene? 4. Point to moments in the language where iago most gains an audience rsquo s sympathy and moments where he most repels it.

Pay close attention to the way in which iago develops arguments about what he must and/or will do. To what extent are these arguments convincing? if they are convincing and an audience rsquo s perception of iago is sympathetic, what happens to its perception of othello? 5. Analyze one or more of the play rsquo s bizarre comic scenes: the banter between iago and desdemona in act ii, scene i the drinking song in act ii, scene i the clown scenes act i, scenes i and iv. How do these scenes echo, reflect, distort, or comment on the more serious matter of the play? kids having to where uniforms to school on a daily basis ur welcome. Should we do more to deal with the problem of domestic violence, or is the problem exaggerated? we are becoming overwhelmingly dependent on computers. Is this dependence on computers a good thing or should we be more suspicious of their benefits? is there too much of commercialism in the internet? technology makes communication easier in today 039 s world. Do we have the right to take people 039 s life, if after all life is the greatest charisma? forests are the lungs of the earth.

Who were the major contributors to this golden age of sports and what influence, if any, did they have on future athletes and the sports they played? human beings do not need to eat meat in order to maintain good health because they can get all their food needs from meatless products and meatless substances. What do you think about vegetarians? are they people who care for animals and want to protect them or people lacking the adequate ration? what are some of the best ways to welcome and then assimilate immigrants into american life? what are the pros and cons of each of these? domestic workers: how these women are treated or mistreated by their employers. The problems they face with inequality in the workplace, most of these women come from different countries and do not speak the language or know their own rights. Advertising: information or manipulation? to what extent has the traditional male role changed in the last 20 years? education is an indivisible part of the prosperity of the nation. The more educated and cultured people there are in the country the more flourishing and thrifty the country is.