Phd Thesis 2005 Text

dror harari the department of theatre arts supervised by: prof. Freddie rokem self performance, drawing on self as source for the construction of performative identity in contemporary live art benny ben david the department of film and television supervised by: prof. Ilan avisar the history of romantic comedy in hollywood cinema,1934 1998 karma zuabi the department of theatre arts supervised by: prof. Linda ben zvi the female character on the palestinian stage in israel 1967 1997 dorit jeroushalmi the department of theatre arts supervised by: prof. Shimon levy directors and directing patterns in the hebrew israeli theatre chu fa ching ebert the department of theatre arts supervised by: prof. Jacob raz the realm of the other: aliens, gods, and jesters in shadowplay yacob eyal the department of art history supervised by: prof.

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Asher ovadiah pantheon of the olympic and captioliniem god in the cities of decapolise lihi nagler the department of film and television supervised by: prof. Mihal friedman re reading the doppelganger motive in early german cinema 1913 1935 haim naghid the department of theatre arts supervised by: prof. Shimon levy the documentary genre as a dominant characteristic of hebrew israeli drama: representation and meaning. revital eitan the department of theatre arts supervised by: prof. Shimon levy the theater of shlomit bat dor 1935 1975 adi efal the department of art history supervised by: prof. Guila ballas the domestic image in the paintings of edouard vuillard spatial and communal cohesiveness vardit asis the department of art history supervised by: prof.yona pinson the golden era of ceiling painters in the seventeenth century: angelo michele colonna and agostino mitelli sharon asaf the department of art history supervised by: prof. Edina meyer maril, prof.yona pinson the five senses in the art of the northern and southern netherlands in the seventeenth century gateways to the vices of nurturers of knowledge nissim gal the department of art history supervised by: prof.

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Mordechai omer the fictitious unity of the idea of identity the concept of object and subject in the works of robert morris. yifat nevo the department of theatre arts supervised by: prof. Ahuva belkin woman's character as autonomous persona in fifty years of israeli drama dochy lichtensztajn the department of art history supervised by: prof.

Judith cohen nineteenth century cultural renaissance in spain el regeneracionismo and its expression in the musical historiographic thought of felipe pedrell 1841 1922 irit kedem the department of theatre arts supervised by: prof. Shimon levy mid life in drama, male and female perspectives alexandra sandra meir the department of film and television supervised by: prof. Mihal friedman pret a porter: functions and characterizations of trans gender in the cinema jennifer chen, probing scalar couplings through tests of the equivalence principle january 14, 2005 it could be that our universe contains one or more nearly massless neutral scalars, either as low energy relics of the uv complete theory, or as dynamical dark energy as called upon by observations.

Here we discuss phenomenological ramifications of the coupling of a light scalar to the standard model. More precisely, we argue that low energy effects of this scalar are dominated by its linear couplings to gauge field kinetic terms and to fermion mass terms, which could then source fifth forces and induce variations in the constants. We determine the limits on each of these couplings, first by determining the strength of the source from each sector.

We find that couplings to the gluon kinetic term and to the strange quark mass term are most constrained by current null results for long range composition dependent fifth forces. Should such as detection occur, it would most likely arise from couplings to these sectors. If we are fortunate enough to make multiple measurements of scalar forces with test body pairs of different compositions, it would be possible to determine each of these couplings. Since any high energy theory containing a light scalar coupled to matter and gauge fields has a four dimensional effective field theory of this form, knowing these coupling would provide an indirect test of theories beyond the standard model. We find that this detection of a 0.001% change in the fine structure constant is not possible to explain with a simple quintessence model while remaining consistent with other constraints on the time variation of the fine structure constant. On the other end of the spectrum, a different group has obtained results with tight error bars consistent with no variation. From this, we place even better bounds on scalar couplings to the photon kinetic term.

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