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if you are a maintainer of this web content, please refer to the site documentation regarding web services for further assistance. This option may be re enabled by the project by placing a file with the name .htaccess with this line: life of pi tells the fantastical story of pi patel, a sixteen year old south indian boy who survives at sea with a tiger for 227 days. A precocious and intelligent boy, by the age of fifteen pi hindu from an early age has also adopted christianity and islam, and considers himself a pious devotee to all three religions. Thanks to government upheaval that has long been distressing pi’s father, the patels decide to close the pondicherry zoo and move to canada when pi is sixteen. Pi, his mother, father, and brother ravi all board the tsimtsum along with the zoo’s animal inhabitants who are on their way to be sold around the world. An unexplained event causes the tsimtsum to sink, and pi is the only human to make it onto the lifeboat and survive.

Along with pi, the lifeboat contains a hyena, a zebra, orange juice the orangutan, and richard parker the tiger. The hyena kills and devours both the zebra and orange juice, before richard parker kills the hyena. There is no land in sight and the ocean is shark infested, so pi builds a raft which he attaches to the lifeboat, to keep himself at a safer distance from richard parker. Eventually, however, life on the raft proves too exhausting, and pi realizes that if richard parker gets hungry enough, he will swim to it and kill pi. Using a whistle, seasickness, and a turtle shell shield, pi manages to assert his authority over richard parker and delineate his own territory on the lifeboat, where he is comparatively safe from the tiger. While at sea, pi and richard parker face many challenges, traumas, tragedies, and miraculous occurrences. They never have sufficient food and fresh water, and the constant exposure is highly painful.

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They are almost crushed by an oil tanker, which then passes by without seeing them. During an especially severe period of starvation, pi and richard parker both go blind. While blind, pi hears a voice, and realizes that they have drawn near another lifeboat that contains a similarly starving and blind frenchman. The frenchman climbs onto pi’s boat, and immediately attacks him, planning to kill and eat him. He doesn’t realize that there is a tiger on the boat, however, and accidentally steps into richard parker’s territory. Pi, saved at the cost of his attacker’s life, describes this as the beginning of his true moral suffering. Pi and richard parker come upon a weird island that is made of algae with trees protruding from it, teeming with meerkats but no other life.

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Pi and richard parker stay on the island for weeks, eating the algae and the meerkats, growing stronger, and bathing in and drinking from the fresh water ponds. They never stay on the island at night, however, pi because he feels safer from the tiger in his delineated territory, and richard parker for a reason unknown to pi. Pi eventually starts to sleep on the island, and while doing so realizes that the island is carnivorous it emits acid at night that dissolves anything on its surface. Richard parker immediately runs off into the jungle without acknowledging pi, which pi finds deeply hurtful. There, two japanese men come to question pi about what caused the tsimtsum to sink. He tells his story, which they do not believe, so he offers them a more plausible version, with the animal characters replaced by other humans, which casts doubt on the original story. Throughout the novel, the story is interrupted by the author’s notes on pi as he is now, telling this story to the author.

After recovering in mexico he went to canada, where he spent a year finishing high school and then studied religion and zoology at the university of toronto. On one hand, pi might have thought that no one would believe his story, because living with a tiger on a boat for that long seems a bit fantastical. The idea that it was an allegory was very sudden there was no hint of it beforehand, he just randomly said it was an allegory close to the end of the book and mentioned the fact briefly. Maybe the author had no clear idea of which one was intended to be the truth, and it's the reader's discretion.

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the will to live

life of pi is a story about struggling to survive through seemingly insurmountable odds. The shipwrecked inhabitants of the little lifeboat don rsquo t simply acquiesce to their fate: they actively fight against it. Even the severely wounded zebra battles to stay alive his slow, painful struggle vividly illustrates the sheer strength of his life force. As martel makes clear in his novel, living creatures will often do extraordinary, unexpected, and sometimes heroic things to survive. The hyena rsquo s treachery and the blind frenchman rsquo s turn toward cannibalism show just how far creatures will go when faced with the possibility of extinction.

At the end of the novel, when pi raises the possibility that the fierce tiger, richard parker, is actually an aspect of his own personality, and that pi himself is responsible for some of the horrific events he has narrated, the reader is forced to decide just what kinds of actions are acceptable in a life or death situation.

the importance of storytelling

life of pi is a story within a story within a story. The novel is framed by a fictional note from the author, yann martel, who describes how he first came to hear the fantastic tale of piscine molitor patel. Within the framework of martel rsquo s narration is pi rsquo s fantastical first person account of life on the open sea, which forms the bulk of the book.

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At the end of the novel, a transcript taken from an interrogation of pi reveals the possible ldquo true rdquo story within that story: that there were no animals at all, and that pi had spent those 227 days with other human survivors who all eventually perished, leaving only himself. Pi, however, is not a liar: to him, the various versions of his story each contain a different kind of truth. One version may be factually true, but the other has an emotional or thematic truth that the other cannot approach. Throughout the novel, pi expresses disdain for rationalists who only put their faith in ldquo dry, yeastless factuality, rdquo when stories mdash which can amaze and inspire listeners, and are bound to linger longer in the imagination mdash are, to him, infinitely superior.

The ldquo true rdquo events of pi rsquo s sea voyage are too horrible to contemplate directly: any young boy would go insane if faced with the kinds of acts pi indirectly tells his integrators he has witnessed. By recasting his account as an incredible tale about humanlike animals, pi doesn rsquo t have to face the true cruelty human beings are actually capable of. Similarly, by creating the character of richard parker, pi can disavow the ferocious, violent side of his personality that allowed him to survive on the ocean.

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He believes that the tiger like aspect of his nature and the civilized, human aspect stand in tense opposition and occasional partnership with one another, just as the boy pi and the tiger richard parker are both enemies and allies.

the nature of religious belief

life of pi begins with an old man in pondicherry who tells the narrator, ldquo i have a story that will make you believe in god. Rdquo storytelling and religious belief are two closely linked ideas in the novel. On a literal level, each of pi rsquo s three religions, hinduism, christianity, and islam, come with its own set of tales and fables, which are used to spread the teachings and illustrate the beliefs of the faith. Pi enjoys the wealth of stories, but he also senses that, as father martin assured him was true of christianity, each of these stories might simply be aspects of a greater, universal story about love.

Stories and religious beliefs are also linked in life of pi because pi asserts that both require faith on the part of the listener or devotee. To him, the important thing is to believe in something, and pi can appreciate an atheist rsquo s ability to believe in the absence of god with no concrete proof of that absence. Pi has nothing but disdain, however, for agnostics, who claim that it is impossible to know either way, and who therefore refrain from making a definitive statement on the question of god. To him, agnostics who cannot make a leap of faith in either direction are like listeners who cannot appreciate the non literal truth a fictional story might provide.