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if you are a maintainer of this web content, please refer to the site documentation regarding web services for further assistance. This option may be re enabled by the project by placing a file with the name .htaccess with this line: an error has been encountered in accessing this page. This option may be re enabled by the project by placing a file with the name .htaccess with this line: 39 so tell me, since it makes no factual difference to you and you can 39 t prove the question either way, which story do you prefer? which is the better story, the story with animals or the story without animals? 39 mr. 39 chapter 99, page 317 this quote is essential to the story yann martel himself has described 39 the better story 39 as the novel 39 s key words. Here pi enlarges the themes of truth, and story versus reality to encompass god, and all of life.

If there is no way to prove that god 39 s existence is true or untrue, and if the assumption of the truth either way in no way makes a factual difference, then why not choose to believe what pi believes to be the better story that god exists? this passage thus connects these central themes in the book, and so weaves everything together. The final question, posed to the author, calls attention both to the fact that this story is being told through an intermediary, and to the arbitrariness of the telling the book does indeed have a hundred chapters, and it would seem that the reason was a simple challenge from pi. Similarly, pi 39 s injunction that we must give things a meaningful shape connects two of the novel 39 s prominent themes, storytelling and belief in god. He believes that the act of storytelling, of giving things shape, can apply in life too, and thus one can shape one 39 s own story in the most beautiful way by believing in god. Chapter 94, page 285 this passage contains several of the important themes and motifs of the novel.

The final question, posed to the author, calls attention both to the fact that this story is being told through an intermediary, and to the arbitrariness of the telling?the book does indeed have a hundred chapters, and it would seem that the reason was a simple challenge from pi. Similarly, pi?s injunction that ?we must give things a meaningful shape? connects two of the novel?s prominent themes, storytelling and belief in god. Pi can only bear to remember so much he can list the sensations but he does not delve into the awful event 39 s effect on his psyche. This moment, more than any other in the text, seems to mark an absence of god it is also the moment where pi 39 s life is most explicitly threatened. Pi 39 s guilt here is more easily understandable in the second version of the story, where it is he who kills the frenchman. Either way, if richard parker is seen as a symbol of the pure survival instinct, this is the one moment in the text where that instinct wins out completely over morality and control.

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I can well imagine an atheist 39 s last words: 39 white, white! l l love! my god! 39 and the deathbed leap of faith. Whereas the agnostic, if he stays true to his reasonable self, if he stays beholden to dry, yeastless factuality, might try to explain the warm light bathing him by saying, 39 possibly a f f failing oxygenation of the b b brain, 39 and, to the very end, lack imagination and miss the better story. Chapter 22, page 64 pi here, in a short chapter, elucidates his opinion on atheists and agnostics. He sees atheists as capable of belief in god, for they have always had faith, just faith in science, rather than in god which pi believes is not inherently incompatible.

On the other hand, the agnostic 39 s doubt is to him an active choice not to believe, not to have the 39 better story. 39 animals in the wild lead lives of compulsion and necessity within an unforgiving social hierarchy in an environment where the supply of fear is high and the supply of food low and where territory must constantly be defended and parasites forever endured. What is the meaning of freedom in such a context? animals in the wild are, in practice, free neither in space nor in time, nor in their personal relations. Chapter 4, page 16 this passage is at the core of pi 39 s philosophy on freedom. He does not define freedom by a lack of bars, but by the ability to exercise free will with one 39 s time, space, and relations.

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Animals, and anyone whose survival is continually threatened, do not have this luxury. This passage also foreshadows pi 39 s own prolonged fight for survival, which restricts his freedom and brings him down to the level of animals in other ways as well. In this passage pi again draws a connection between his two majors, zoology and religion. In both fields, he sees the human tendency towards self centeredness as dangerous. In religion it leads to a lack of faith in god in zoology, it leads to a possibly fatal misunderstanding of dangerous animals, or to a cruel treatment of an essentially innocent animal.