How to Start An Essay on Nature Text

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Write your essay in first person i, me, we or second person you, your then edit that out. time: 2016 02 22 0:31 utc 1456134031 reporting this problem: the problem you have encountered is with a project web site hosted by sourceforge.net. This issue should be reported to the sourceforge.net hosted project not to sourceforge.net. if this is a severe or recurring/persistent problem, please do one of the following, and provide the error text numbered 1 through 7, above:

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if you are a maintainer of this web content, please refer to the site documentation regarding web services for further assistance. This option may be re enabled by the project by placing a file with the name .htaccess with this line: as he returned from europe in 1833, emerson had already begun to think about the book that would eventually be published under the title nature. The lengthy essay was first published in boston by james munroe and company in september of 1836. A new edition also published by munroe, with emerson paying the printing costs, his usual arrangement with munroe appeared in december of 1849. This second edition was printed from the plates of the collection nature addresses, and lectures. The second edition of this collection was published in boston in 1856 by phillips, sampson, under the title miscellanies embracing nature, addresses, and lectures.

nature has been printed in numerous collections of emerson's writings since its first publication, among them the 1940 modern library the complete essays and other writings of ralph waldo emerson edited by brooks atkinson , the 1965 signet classic selected writings of ralph waldo emerson edited by william h. Gilman , and the 1983 library of america essays lectures selected and annotated by joel porte. Emerson prefaced the prose text of the 1836 first edition of nature with a passage from the neoplatonic philosopher plotinus. The passage from plotinus suggests the primacy of spirit and of human understanding over nature. Emerson's poem emphasizes the unity of all manifestations of nature, nature's symbolism, and the perpetual development of all of nature's forms toward the highest expression as embodied in man.

In the introduction, emerson laments the current tendency to accept the knowledge and traditions of the past instead of experiencing god and nature directly, in the present. He asserts that all our questions about the order of the universe about the relationships between god, man, and nature may be answered by our experience of life and by the world around us. Each individual is a manifestation of creation and as such holds the key to unlocking the mysteries of the universe. Nature, too, is both an expression of the divine and a means of understanding it.

The goal of science is to provide a theory of nature, but man has not yet attained a truth broad enough to comprehend all of nature's forms and phenomena. He defines nature the not me as everything separate from the inner individual nature, art, other men, our own bodies. Emerson explains that he will use the word nature in both its common and its philosophical meanings in the essay. At the beginning of chapter i, emerson describes true solitude as going out into nature and leaving behind all preoccupying activities as well as society. When a man gazes at the stars, he becomes aware of his own separateness from the material world. The stars were made to allow him to perceive the perpetual presence of the sublime.

We retain our original sense of wonder even when viewing familiar aspects of nature anew. Emerson discusses the poetical approach to nature the perception of the encompassing whole made up of many individual components. Our delight in the landscape, which is made up of many particular forms, provides an example of this integrated vision. In order to experience awe in the presence of nature, we need to approach it with a balance between our inner and our outer senses. Nature so approached is a part of man, and even when bleak and stormy is capable of elevating his mood.

Nature offers perpetual youth and joy, and counteracts whatever misfortune befalls an individual. The visionary man may lose himself in it, may become a receptive transparent eyeball through which the universal being transmits itself into his consciousness and makes him sense his oneness with god. But by itself, nature does not provide the pleasure that comes of perceiving this relationship.

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Such satisfaction is a product of a particular harmony between man's inner processes and the outer world. In the next four chapters commodity, beauty, language, and discipline emerson discusses the ways in which man employs nature ultimately to achieve insight into the workings of the universe. In chapter ii, commodity, he treats the most basic uses of nature for heat, food, water, shelter, and transportation. Although he ranks these as low uses, and states that they are the only applications that most men have for nature, they are perfect and appropriate in their own way. Moreover, man harnesses nature through the practical arts, thereby enhancing its usefulness through his own wit. Emerson quickly finishes with nature as a commodity, stating that a man is fed, not that he may be fed, but that he may work, and turns to higher uses. In chapter i, beauty, emerson examines nature's satisfaction of a nobler human requirement, the desire for beauty.

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